Essay by Tom Leonard
The politics of space on the page is a politics of democracy, of transference from world of text as “the” to that of reader-subject as “this”. It is the universalisation of the author-reader experience away from the world of passing-the-parcel to those fit to open the parcels of cultural referents of supposedly universal value (which opening of parcels has been the industry of literary-academic exegesis’s this past hundred years); towards the structuring of a system of common breath, integer of the universal human.
The basis of poetry is line, the basis of prose, paragraph—most of the time. Three types of basic poetry line: as unit of metre, as unit of meaning, as unit of articulation. The politics of space belongs to the last.
The politics of space on the page is a politics of democracy, of transference from world of text as “the” to that of reader-subject as “this”. It is the universalisation of the author-reader experience away from the world of passing-the-parcel to those fit to open the parcels of cultural referents of supposedly universal value (which opening of parcels has been the industry of literary-academic exegesis’s this past hundred years); towards the structuring of a system of common breath, integer of the universal human.
The basis of poetry is line, the basis of prose, paragraph—most of the time. Three types of basic poetry line: as unit of metre, as unit of meaning, as unit of articulation. The politics of space belongs to the last.